“Whakarongo” by Iwa Toia
Chapter navigation:
- Introduction
- "O le Pepe" by Ester Temukisa Laban-Alama
- “Whakarongo” by Iwa Toia
- “The Sandcastle Song” by Mary McCammon
- Creating and Representing
- "Jazzy Cats' Walk", music by Tracy Rohan
- Playing
- Singing
- "Koromiko" by Angeline Hamiora
- “Tihore Mai” by Hirini Melbourne
- "The Rattlin' Bog", traditional Irish Folk Song
- Listening and Responding
- "Fireworks"
- Moving
- Audio Track Details
- Night Countdown by Peggy Dunstan
- “Hailstones” by Alan Bagnall
- "Trains" by Michelle Scullion
- "In the Hall of the Mountain King" by Edvard Grieg
Learning Contexts: Composition, perceptive listening; notation (Music literacies); Te Reo Māori |
Learning Contexts: Composition, perceptive listening; notation (Music literacies); Te Reo Māori |
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YEAR/S: 1-3 | DURATION: 4 - 8 sessions | |
CURRICULUM LEVEL: Level One | CURRICULUM LEVEL: Level One |
Values highlighted in this unit | How will these values be encouraged? |
Excellence | Children will be challenged to enhance their creative work through reflective questioning. |
Innovation, inquiry and curiosity | Children motivated to think creatively and ask meaningful questions. |
Diversity | The use of te reo Māori and the importance of using new vocabulary and pronouncing the words correctly. |
Equity | All children able to work to the best of their ability and apply their individual skills and knowledge. |
Community and participation | Full participation in all activities, contributing actively to discussions |
Care for the environment | Understanding the protocol for gathering natural resources |
Integrity | Willingness to listen to others and respect their views. |
Key Competencies highlighted in this unit | How will these competencies be encouraged? |
Managing self | Showing good self control in managing creative activities. |
Relating to others | Sharing ideas, listening to others. Working well in a group. |
Participating and contributing | Active participation in all activities. Tolerance and understanding of individual differences. |
Thinking | Drawing on previous learning to ensure correct pronunciation of te reo Māori. Expanding ideas creatively. |
Using language, symbols and texts | Using sound to communicate ideas. |
Learning Outcomes |
In this unit the children will develop the ability to:
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Information |
This example provides an opportunity for children to use vocal and instrumental sounds to enhance a short poem in te reo Māori. It’s a simple poem, which is fun to perform and will provide the children with a good introduction to associating sounds with symbols and an opportunity to practise some basic Māori language. |
Resources |
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Games and Starters |
Whakarongo - listen Sit the children in a circle. Put a selection of instruments and other sound sources in the middle of the circle. A chosen child says, “Whakarongo ki a (child’s name)”. The named child then makes an interesting sound or sequence of sounds with their voice or an instrument and then names another child to have a turn. Newspaper music Give each child a sheet of newspaper. The children see how many different sounds they can make with newspaper, for example, flicking, tearing or waving. They create the sound of a rainstorm using only newspaper sounds. Then they put the sounds into a sequence to create a rainstorm soundscape. Sound cards Provide some graphic notation cards, with each card showing a symbol. The children each choose a card and explore the sound-making possibilities of their card, using voice and/or instruments. The cards can be used in a variety of ways, such as to make interesting combinations or sequences of sounds, to create a soundscape or to work in groups to interpret the symbol. Environmental symphony Send the children outside on a sound search. Encourage them to find leaves, twigs, harakeke, stones, pine cones, shells. View information on protocol for gathering natural resources . Spread all the resources on a large piece of material in the centre of the room and talk about all the different sounds that could be made. Encourage them to combine sound makers, for example, a twig scraping on a pine-cone. Decide together on favourite sounds and how they could be combined to create an environmental symphony |
Learning experiences |
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